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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Wednesday, March 30, 2011
Anonymous

Sony HXR-MC50U Infrared Camera

Sony HXR-MC50U

The HXR-MC50U is an ultra-compact, professional, AVCHD camcorder with big camera performance. With premium design characteristics such as wide-angle Sony G lens, single ½.88-inch size Exmor™ R sensor with six million pixels, adaptive MPEG-4 codec, full-raster 1920 x 1080i recording capability, the HXR-MC50U is ideal for multimedia journalists, documentarians, indie filmmakers and any other application where a small, high quality camera is required.


Price: $1,499.99 (ADD TO CART FOR LOWER PRICE) 
BUY NOW



Sony G™ Lens Technology for Wide Angle Shooting

The HXR-MC50U camera's wide angle, professional-quality Sony G Lens technology provides exceptional image fidelity and resolution. Engineered for superior optical performance. Sony G Lenses deliver brilliant, accurate color reproduction and sharp, amazingly detailed images and offer a broader perspective for enhanced wide angle shooting in both photo and video modes.


1/2.88-inch Back-Illuminated "Exmor R" CMOS Sensor
Sony's exclusive Exmor R technology offers exceptional low-light sensitivity with improved image clarity and drastically reduced noise grain. Designed for sub-micron pixel sizes, the Exmor R sensor relocates the photo diodes above the support circuitry, maximizing the light gathering area per pixel. This effectively doubles the sensitivity in comparison to conventional CMOS sensors, a dramatic boost in sensitivity that gives rise to superb low-light performance that was previously impossible to achieve. The second generation Exmor R CMOS Sensor used in the HXR-MC50U contains 6.6 million pixels and samples the 16:9 HD frame with more than 4 million pixels, effortlessly capturing fine detail and image texture, yet its sensitivity exceeds that of many 1/3-inch cameras.


HHV Fireworks 09/24/2010 from Meg The Dog on Vimeo.



Infrared NightShot.
The HXR-MC50U camera incorporates an IR illuminator that produces moderate levels of infrared light, enabling effective nighttime imaging under low light conditions. The resulting images are typically higher resolution than other night vision technologies. With the NightShot function turned on, images can be recorded in virtually total darkness of 0 lx (lux).


Touch Screen Viewfinder
Xtra Fine TruBlack LCD technology brings remarkably high contrast and brightness to the camcorder's wide, 3.5-inch* LCD display. Its glare reduction capabilities deliver more natural, realistic colors and provide easier viewing in bright conditions. A 0.27-inch color viewfinder with 201k pixels is provided for framing the shot when the LCD is closed. The touch screen allows powerful yet simple user interface ranging from menu navigation to content management and creative image control. * Viewable area, measured diagonally.

Manual or Auto Control
The HXR-MC50U also includes Sony's Spot Focus and Spot Meter systems, which provide an efficient blend of automatic and manual functionality. Using the touch screen, you can tap your finger on a specific region of the LCD screen, and the camcorder will automatically optimize the focus or exposure for the touched part.

Convenient Manual Control Dial
With a turn of the dial, you can have precise manual control of six key settings: Focus, Exposure, AE Shift, WB Shift, Iris Control, and Shutter Speed Control.

Built-in GPS
A built-in GPS receiver allows you to view the HXR-MC50U camera's current location on the LCD map display, as well as "tag" your shooting locations. Tagged videos and still images can be reviewed and played back using the Map Index function on the camcorder or, once downloaded to your PC, using the supplied PMB (Picture Motion Browser) software.

High-Definition Video
Provides full raster 1920 x 1080i AVCHD high-definition recording at up to 24Mbps and Long GoP MPEG-2 Standard Definition recording (similar to DVD).

















Sony HXR-MC50U Infrared Camera
  • Title : Sony HXR-MC50U Infrared Camera
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7 comments:

  1. This comment has been removed by a blog administrator.

    ReplyDelete
  2. Johanna I just purchased this camera for our university and was wondering how you make it focus on the object in the foreground while blurring out the background? Is that a setting or camera trick?

    ReplyDelete
  3. MUSC Con- Focusing on the object while blurring out the background is called "depth of field". On these smaller cameras you are not going to get the best "Depth of Field" look because it's not a DSLR. Here is our blog on "Depth Of Field" that will tell you how you can manipulate it: http://campbellcameras.blogspot.com/2011/04/maniputlating-depth-of-field.html
    Here is another way to manipulate it using different filming techniques: http://campbellcameras.blogspot.com/2011/12/adding-depth-to-your-shot.html

    Hope this helps!

    ReplyDelete
  4. I have a Sony handheld HD video camera similar to this one, that I use to video my bowhunts. What is the difference with this camera having a wide lens? I'm new to filming hunts, can you give a example of why people use wide lens for hunting.

    ReplyDelete
  5. Anonymous- People are using wide-angle lenses in hunting because the lens is able to pick up more of the subject in the lens. It also allows for more light to come into the shot and therefore it will be better in lower-light situations.

    Hope this helps,
    Johanna

    ReplyDelete
  6. Johanna,

    We have been filming hunts for our hunting television show for 3 years and we have always used Sony HDR-FX7. I am disabled veteran and I am now unable to hunt from the trees and have had to adapt to all ground blind hunting. I am also unable to pack as much gear as I used to and now I have limited mobility in the blind and was wondering if I chose to go with a smaller camera would this camera capture my hunts as well as the FX7 does? I really need to lighten my load and reduce the camera size if possible. Can you recommend a camera for me to use for strictly ground blind hunting.

    ReplyDelete
  7. Charles- I would recommend the Canon XA10 video camera for you. It is a small & lightweight video camera. The nice thing about this camera is that it records to SD cards and that way you don't have to hassle with the miniDV tapes like you do with the FX7. It also reduces the transfer time when you go to edit your film. The XA10 includes a detachable handle. On that handle are 2 XLR ports that allow you to use two microphones at the same time (shotgun microphone and a wireless microphone). It also has a manual focus ring around the lens and it does have infrared capabilities. What you lose when you go from the FX7 to the Canon XA10 would be the manual iris and zoom rings around the lens, the 20x zoom (XA10 is only 10x), and the FX7 is a 3 CMOS sensor and the smaller handheld cameras are all going to be single sensor cameras. However, if you are looking to downgrade the size of the camera for easy transportation than I would suggest the Canon XA10 http://www.campbellcameras.com/shopping/Products/Canon-XA10__401CANXA10.aspx

    ReplyDelete

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