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Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors
0 / 13 Apr 2015
Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.
Shotgun Mount Compatibility Chart
0 / 08 Apr 2015
NEW- Sony Multiport to LANC Adapter Kit For Sony Cameras
0 / 16 Mar 2015
Unleash The Power of Macro Lenses
0 / 10 Mar 2015
Sony Announces New Lenses
0 / 05 Mar 2015
High Contrast Photography
0 / 05 Jan 2015
Preview of the Black Friday- Cyber Monday Sales
0 / 26 Nov 2014
Video from Campbell Cameras Video School Graduate
0 / 18 Nov 2014
Canon VIXIA HF R500- the Top gift for Christmas
0 / 05 Nov 2014
GoPro HD HER04 Black & Silver, HERO3+ Silver, HERO3 White, and the HERO comparison Chart & Buying guide
0 / 17 Oct 2014
Comparing the GoPro HD HERO3 to the HD HERO4
0 / 03 Oct 2014
Sony a6000 & Play Memories Star Trail App
0 / 01 Oct 2014
Sick Time-Lapses Made Easy
0 / 30 Sep 2014
Introducing the new #GoPro HD HERO 4
0 / 29 Sep 2014
Review of the Campbell Cameras "The Camera Pack" by Badlands
0 / 25 Sep 2014
Understanding Wide vs Telephoto Lenses
0 / 17 Sep 2014
Comparing the Sony A7 cameras
0 / 11 Sep 2014
Campbell Cameras Pro Staff & Elite Staff Named
0 / 05 Sep 2014
Sony PMW-F5 to Sony PMW-F55 Upgrade
0 / 04 Sep 2014
Comparing the Canon HFG20, HFG30, XA10, XA20 and the Sony HDR-CX900, FDR-AX100, and the PXW-X70 cameras
0 / 21 Aug 2014

Mic Up A Turkey Decoy

Mic Up A Turkey Decoy

Tascam DR-40 and Joby Gorrilapod Hybrid Pictured

Why not take your audio to the next level by placing a Handheld Audio Recorder by your decoys to really pick up them gobblers!

How to do this:

1) Choose which Handheld Audio Recorder is right for you. (Comparison chart below)

2) The Handheld Audio Recorder's have a tripod adapter where you can screw it right into a Joby Gorillapod Hybrid

3) Place it out by your decoy

It's as simple as that! the audio will be captured through the handheld audio recorder via an SD card. This gives you a separate audio track for you to mix in while editing your turkey hunt. You can really make the turkey's come to life to the viewer with this audio!

Comparison Chart for the Handheld Audio Recorders

Device	Recording Media	# of Chanels	Frequency	Connections	Battery Type	Weight	Price
Zoom H1	Micro SD/SDHC (2gb Included)	2	WAV: 44.1, 48, and 96kHz MP3: 44.1/48kHz	(1) 3.5mm mic/line input (1) 3.5mm headphone/line output (1) High-speed USB 2.0 port, mini-B type	1 x AA or LR6 battery Up to 10 hours MP3, 9.5 hours WAV	2.1 oz w/o battery	$86.14
Tascam DR-05	Micro SD/SDHC	2	20Hz - 20kHz +1/-3dB 20Hz - 22kHz +1/-3dB 20Hz - 40kHz +1/-3dB	(1) 3.5mm Mic/Line Stereo Input (1) 3.5mm Headphone/Line Out Jack (1) USB 2.0 Mini Port	(2) AA Batteries USB Bus Power	4.1 oz w/o battery	$99.00
Tascam DR-07 mkII	Micro SD/SDHC	2	20Hz - 20kHz	(1) Power Input (1) 3.5mm Mic/Line Input (1) 3.5mm Headphone/Line Out (1) Mini USB Port	(2) AA Up to 17.5 Hours	4.4 oz w/o battery	$149.00
Zoom H2N	SD/ SDHC Card	2 or 4, depending on mode	WAV: 44.1, 48, and 96kHz MP3: 44.1/48kHz	1 x 3.5mm mic/line stereo input 1 x 3.5mm headphone/line stereo output 1 x Remote jack 1 x High-speed USB 2.0 port, mini-B type	(2) AA or LR6 Batteries (Up to 20 hours operation)	4.6 oz w/o battery	$178.59
Tascam DR-40	Micro SD/SDHC	4 (2 stereo)	20Hz~20kHz +1/-3dB 20Hz~22kHz +1/-3dB 20Hz~40kHz +1/-3dB	(2) XLR/TRS Combo Inputs (1) 3.5mm Headphone/Line Out (1) High-Speed Mini-B USB 2.0 Port (1) Remote Jack	3 x AA (Alkaline or NiMH) Up to 15 Hours of Continuous Operation	7.5 oz w/o battery	$199.99
Zoom H4N	SD/SDHC Card	2 or 4, depending on mode	WAV: 44.1, 48, and 96kHz MP3: 44.1/48kHz	(2) XLR/TRS combo inputs (balanced, unbalanced) (1) 3.5mm mic input (2) Built-in condenser microphones (1) USB 2.0 port	(2) AA or LR6 batteries AC wall power USB bus power Approx 6 hours (normal) or 11 hours (stamina mode)	9.9 oz w/o battery	$279.99
Tascam DR100 mkII	SD/SDHC Card	2	WAV: 44.1 to 96kHz MP3: 44.1 and 48kHz	(1) External Power Input (1) 3.5mm Line Input (1) 3.5mm Line Output (2) XLR Microphone/Line Inputs (1) 3.5mm Headphone (1) 3.5mm Remote Jack (1) Mini USB	Lithium-ion rechargeable battery (TASCAM BP-L2, included) (2) AA batteries (Alkaline or Ni-MH batteries) AC adaptor (TASCAM PS-P520, sold separately) External battery pack (TASCAM BP-6AA, sold separately)	10.2 oz w/o battery	$329.99