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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Tuesday, February 26, 2013
Anonymous

Adobe Premiere Editing Class - March 19-22, 2013

Adobe Premiere Editing Class- March 19-22, 2013


This four-day, hands-on, beginners course, teaches students hard-to-find editing and finishing techniques that you wont get from watching tutorials online. With an emphasis on outdoor production, learn how to create story lines, edit multi-camera clips, creatively build drama, and export your videos for YouTube, DVD or Blue Ray discs. Although it is designed for the beginner, this class has proven to be jam packed with information & long days spent in a chair, with an unbelievable result that ends with the sky as the limit, with what your next production will look like.

On the first day of class, you will learn details of a computer system and what some of the terms mean as well as what different types of media that are out there and how they effect video editing workflows. We will then work on importing files onto the computer and how to best organize and manage those files before, during and after a project. You will then get to know Adobe Premiere basic functions including the layout of the software, importing files into your project and building a basic video on a timeline.

The second day will start out with a recap on the layout and basic functions of the software along with a brief Q & A. Next we will get into story building on a timeline, cutting, blending and fine tuning clips, adding music and diving right into editing an actual hunt. From start to finish, you will follow along with the instructors on importing, organizing, cutting clips, layering primary and secondary angles, adding music and trimming to what will end up looking like a hunt you would be proud to put on YouTube. At the end of the day, we will begin the rough cuts on your day 3 projects.

On day 3, we will walk you through adding transitions (when and where they are needed), a more in depth look at layering (lower thirds, text, logos, etc) and the importance of audio (adding, layering, blending, replacing, etc). During the second half of this day, we hope to have you to where we can let your minds run wild and finish this edit on your own (with our instructors present for your help of course) to see what you can create and come up with based on what you have learned so far. At the end of the day, we will have a brief Q & A as well as watch and discuss the instructors version of this hunt. This will hopefully get your creative juices flowing even more for day 4.

On the 4th and final day, we will work on our last project which will encompass all you have learned as well as require some creative minds, as it will be the hardest project you will have to work on, but has potential of being the best!! By the end of the day we will cover exporting files for DVD, Blue Ray, YouTube or web videos, watch the instructors version of this hunt along with anyone else who would like to share and we will present course certificates to each student.

- All computers (desktop or laptop) brought by students must have a 7200 rpm hard drive! This is very important. Editing video won't work on a 5600 rpm drive. Its just too slow.

-A minimum of 500GB Hard Drive

- A pair of headphones.(Available for purchase at Campbell Cameras once you arrive)

- Even if using a laptop, we recommend everyone has a mouse.

- The class will be taught using Adobe Premiere CS 6, however there are several versions of Premiere that will be allowed if you have already purchased the software. You must come prepared with it pre installed on your computer and have everything up and running smoothly before you arrive. Call for details

When: March 19 - 22, 2013
Where: Carmi, IL
Price: $2,000/Person*
*Price includes lodging and food.
Taught by: Tom Petry: Owner of Drop Tine Productions & Kyle Almeling: Campbell Cameras



Adobe Premiere Editing Class - March 19-22, 2013
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