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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Tuesday, February 25, 2014
Anonymous

Sony HXR-NX3 vs Sony HDR-AX2000 (updated)

Sony HDR-AX2000 vs The new Sony HXR-NX3 – Updated

Here are the main upgrades you will see with the NX3:
• Built in light
• Relay recording (AND) Dual recording option
• 40X Clear Image Zoom, (from the looks of this it is way different than digital zoom, clarity is almost un noticeable between 20x and 40x.
• Wifi capability allowing you to use your iPAD/tablet or smart phone as a remote AND viewfinder, saving money on external monitors
• Assignable recording buttons. (You can program the handle to record to one card and the grip to record to another card if you want) Kinda cool, you could separate B-roll shots and primary hunt footage making post production job easier.
• The LCD screen is 30% larger on the NX3
• NX3 has the same color profile as the HXR-NX5U
• The wifi is super simple to set up. Customers can download the free app called (Play Memories Mobile) for Android and IPhone/Ipad and the rest is cake. Turn on the wifi in the menu of the camera, connect to it with your phone, (Password comes up in screen of camera) then launch the app. It allows you to view, zoom, and record.

*** SONY DOES NOT INCLUDE A BATTERY IN THE BOX WITH THE NX3***


Sony HXR-NX3 vs the Sony HDR-AX2000 from Campbell Cameras on Vimeo.

Here is a comparison chart of the specifications:

Specifications

Sony HDR-AX2000 Sony HXR-NX3
Image Sensor Three 1/3" ClearVid 3MOS with Exmor Technology Three 1/2.8" Type EXMOR CMOS Sensor
Zoom 20x Optical Zoom
30x Digital Zoom
20x Optical Zoom
40x "Clear Image Zoom"
Filter Size 72mm 72mm
Built-in ND Filters Clear, 1/4, 1/16, 1/64 Clear, 1/4, 1/16, 1/64
Aperture F1.6-3.4 F1.6-11
Focal Length
(35mm Equivalent - 16:9)
29.5 - 590mm 28.8- 576mm
Focal Length
(35mm Equivalent - 4:3)
36.1 - 722mm 35.2 - 705mm
Audio Recording Format HD:
• Dobly Digital
SD:
• Dolby Digital
HD:
• Linear PCM
• Dolby Digital
SD:
• Linear PCM
• MP4
• AAC
Video Recording Format HD:
• MPEG-4
• AVC/H.264 AVCHD
SD:
• MPEG-2 PS
HD:
• MPEG-4
• AVC/H2.64
• AVCHD
SD:
• DV
• MP4
• MPEG-4
Recording Frame Rate FX (24Mbps):
• 1920 x 1080/60i
• 1920 x 1080/30p
• 1920 x 1080/24p

FH (17Mbps):
• 1920 x 1080/60i
• 1920 x 1070/30p
• 1920 x 1080/24p

HQ (9Mbps):
• 1440 x 1080/60i
• 480 x720/60i

LP (5Mbps):
• 1440 x 1080/60i
FX (24Mbps):
• 1920 x 1080/60i
• 1920 x 1080/24p
• 1920 x 1080/30p
• 1280 x 7020/60p

FH (17Mbps):
• 1920 x 1080/60i
• 1920 x 1080/24p
• 1920 x 1080/30p
• 1280 x 720/60p

HQ (9Mbps):
• 1440 x 1080/60p
• 1280 x720/60p

LP (5Mbps):
• 720 x 576/60i

MP4
• 1280 x 720/ 24p
Shutter Speed 60i/60p: 1/60-1/2000
30p: 1/30 - 1/2000
24p: 1/48-1/2400
1/3 - 1/10,000
LUX Rating (Low-Light) 1.5 LUX @ 1/30sec, Auto IRIS, Auto Gain 1.0 LUX @ 1/25sec, Auto IRIS, Auto Gain
Gain -6, -3, 0, 3, 6, 9, 12, 15, 18, 21db -6, -3, 0, 3, 6, 9, 12, 15, 18, 21, 24, 27, 30dB
White Balance Mode • Auto (intelligent, High, Middle, Low)
• Outdoor
• Indoor
• One-push (A/B)

• Auto
• Preset (Outdoor)
• One-push (A/B)
Slow & Quick Motion Function None 1080p: Frame rate selectable 1,2, 3, 6, 12, 25, 50fps
Inputs/ Outputs (1) Component Mini-D Jack (Output)
(1) Composit/S-Video/Audio: Multi AV Jack (output)
(1) HDMI (output)
(1) USB 2.0 (output)
(1) USB 2.0 (input)
(2) Audio L/R Input: XLR 3-pin Female
(1) Headphone: Stereo Mini Jack
(1) Remote: LANC
(1) Headphone Jack
(2) XLR-type 3-pin (input)
(1) Headphone Jack (output)
(1) DC Jack (input)
(1) USB 2.0 (output)
(1) USB 2.0 (input)
(1) Remote LANC
(1) Type A HDMI (output)


Sony HXR-NX3 vs Sony HDR-AX2000 (updated)
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1 comments:

  1. We have used the sony ax2000's for a while now and needed another, and went for the newer nx3, the only thing we were hesitant about was the low light, we ran some of our own tests and were pleasantly surprised that the nx3 well outperformed the ax2000 in low light, not even a competition. Not sure if sony did an update or what but nx3 came out on top in all our tests.

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