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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Thursday, August 21, 2014
Anonymous

Comparing the Canon HFG20, HFG30, XA10, XA20 and the Sony HDR-CX900, FDR-AX100, and the PXW-X70 cameras


Here is a chart comparing the following cameras: 
Canon HFG20
Canon HFG30
Canon XA10
Canon XA20
Sony HDR-CX900
Sony FDR-AX100
Sony PXW-X70
(click on picture to expand)

*waiting to get a response from Sony on the LUX rating of the new models.

Difference in Sensor Size

Full Frame & APS-C are the sensors that you would see in DSLRs.  For the cameras that we are comparing you can focus on the blue and the green that are highlighted above. The blue sensor size represents the Canon cameras and the green sensor size represents the Sony cameras. With the 1" sensor of the Sony cameras you will have more of a DSLR look to your footage because it allows you to get that shallow depth of field (foreground in focus and background out of focus) when used in combination with the built-in ND filters.

Benefits of 4K


Think of 4K as quadrants of 1080p. Four 1080p images make one 4K image. What does this mean to you? That basically means that the camera is able to pickup and store 4 times the amount of detail.

You don't have to have a 4K television or display to benefit from the sensor picking up more of that information. You will see the benefit in more realistic shadows and highlights, more dynamic range, and even better 1080.

For more benefits read our related blog here: The Benefits of 4K

Zoom Capabilities
Optical zoom means the lens is physically moving and produces no image loss at the end of the zoom. Canon's newer models the HFG30 and the XA20 offer a 20x optical zoom. To put that in perspective, if something is 200 yards out the camera can zoom it into 10 yards.


With standard digital zoom, pictures captured by the image sensor of the camera are enlarged using digital signal processing. Therefore, as the magnification level increases, signals to be estimated also increase and can reduce the image quality. *** We do not recommend using Digital zoom at all ***

When using Clear Image Zoom, however, zoomed images are captured close to the original quality when shooting a still picture. The camera first zooms to the maximum optical magnification, then uses Clear Image Zoom technology to enlarge the image an additional 2x, producing sharp clear images despite the increased zoom ratio. With this new technology the Sony cameras allow you to get a 24x zoom. That means if something is 200 yards out the camera can zoom it into about 8.3 yards.

Understanding ND Filters

Think of ND filters like sunglasses for your camera. For example, this will allow you to see the clouds on a sunny day.
ND filters give you the flexibility to set the aperture and shutter speed you want, rather than what the conditions dictate. By slowing your exposure time or increasing your aperture, you are able to control depth of field and convey movement more easily. The Sony cameras listed above do have variable ND filters built in which allows you to switch between different levels of ND filter.
Although the Canon cameras listed above do not have a built-in ND filter but they do have the ability to screw on filters to the front of the camera. So you have the possibility to add a filter with these cameras.

LANC vs AV Remotes:
The Canon's listed above have the ability to add a LANC remote that (depending on the remote) allows you to control: • Zoom
• Focus

• Start/Stop Record
• Data
• Review footage

The Sony RM-VPR1 Remote Control will only control:
• Start/Stop Record
• Zoom




Comparing the Canon HFG20, HFG30, XA10, XA20 and the Sony HDR-CX900, FDR-AX100, and the PXW-X70 cameras
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