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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Monday, October 10, 2011
Anonymous

Know the filter size of your camera

Filters can be added to video cameras and DSLRs to be used to protect the lens or to correct the image being recorded. The different types of filters are: UV Filters: A UV filter is the best available protection for the front element of your lens. A lens that accidentally gets dropped on its front element while hiking into the woods can potentially be saved by purchasing this item. Some people refer to them as "cheap insurance".


Polarizer Filter: If you're out hunting or fishing on a lovely day – and you want to get a fabulousshot of a cloud-filled sky or make the water seem more saturated, then a polarizer is the way to go. This filter is the best way to make the clouds stand out, increase or decrease the saturation of the ocean or increase or decrease the reflection off the water. You can also use this filter when shooting into glass or windows since it will, again, either increase or decrease reflections.


Neutral Density Filter: If you are to film subjects such as snow, sand or other bright scenes which could cause overexposure, to enable slow shutter speeds to be used (filming subjects such as waterfalls, clouds, or cars), to decrease depth of field by allowing wider apertures to be used (separate subjects from the background), or to used outdoors in bright situations, than the Neutral Density Filter is the way to go.

Digital Ultra Clear Filter:
This filter is a breakthrough in filter design with its Water White glass, highest high optical quality composition. It's basic value is to serve as a high-quality, permanent lens protector.

To determine which size filter you need for you camera you can look for it on the list below. If your camera is not on the list, you can look up your camera online and look under the specifications of the camera and find it's "Filter Size"
Filter Size Cameras
30mm Sony CX150/R, CX350V, XR160, CX360V, CX110, PJ10, PJ30V, PJ50V,
37mm Sony: DCRSX85/S, DCR-SX65/B, DCR-SX45/S, CX700, CX160/B, CX560, CX130/B, CX560V, CX700V, MC50U, A1U, NX70U, HD1000U, MC2000U, PMW-100
Canon: HFM300, HFM30, HFM32
43mm Canon: HFM400, HFM40, HFM41, HV40, HFM50, HFM500,
Panasonic: AG-HMC40, AG-HMC80PJ, AG-HCK10G
46mm Sony: HDR-CX430V
Panasonic: TM900K, HS900K, SD800K
52mm Sony: HXR-NX30U
58mm Canon: HFS200, HFS20, HFS21, XA10, XA20, XA25, HFS30, HF-G10, HFG-20, HFG-30, XF100, XF105
62mm Sony: HDR-FX7,
Canon: GL2
67mm Sony: NEXFS100UK(with included lens)
72mm Sony: HDR-AX2000, FX1000, Z7U, Z5U, HXR-NX5U, FDR-AX1
Canon: XHA1, XHA1s,
Panasonic: AGHMC150, AG-AC130PJ, AG-AC160, AG-HPX250
77mm Sony: PMW-300K1
82mm Canon: XF300, XF305
Know the filter size of your camera
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