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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Tuesday, March 19, 2013
Anonymous

DSLR Basics: Metering Mode

DSLR Basics: Metering Mode

Metering Mode: How the camera measures the brightness of a subject


Metering settings work by assessing the amount of light available for a photograph, and then adjusting the exposure accordingly. Sometimes, when using Program, Shutter Priority, or Aperture Priority, the camera isn’t intuitive enough to get the exposure right. Fortunately, most DSLRs have the ability to make manual adjustments to the metering mode used by the camera.  If you know which mode to choose in a particular lighting situation, you’ll have a good chance of getting a perfect exposure. Remember that not ever DSLR with have each of the metering modes we discuss. And some might not be available in video mode. (Refer to your individual owner’s manual to learn how to change the settings on your camera.)

Camera uses the light information coming from the
blue areas to determine exposure
Evaluative Metering 
This is also known as multi-segment metering or matrix metering. This is the "default" on most cameras. Evaluative Metering is a metering system that interprets simultaneous readings from multiple areas in the frame to determine the correct exposure. 
When would I use this mode? This mode is suited for quick shooting when you need to get a light reading on an entire scene and set the exposure in a hurry. Or, it is good to use when there’s a lot of contrast between light and shadow in a scene.
Photo Example:

Video Example: 

Hdr skies from Tanguy Louvigny on Vimeo.


Center-Weighted Average Metering
Camera uses the light information coming from the
blue areas to determine exposure

Center-weighted average metering means exactly what the name says, it gives special emphasis to the center of the frame. But, it also takes the surrounding area into consideration.
When would I use this mode? Use this mode when your subject is in the center of the frame and correctly exposed. It is also a good mode to select when you want to capture a brightly lit subject and be sure it’s exposed correctly compared with the surrounding areas. Remember that this type of metering does not attempt to identify and correct situations like backlighting.
Photo Example:


Video Example:


Spot Metering
Camera uses the light information coming from the
blue areas to determine exposure
Spot metering measures only a small area in the center of the frame. This area is usually only 2 or 3% of the entire area. Therefore, remember this is a challenging metering mode to use because you really have to pay attention to what it is exactly measuring and interpret the brightness.
When would I use this mode? Use this mode when your subject is in the center of your frame or when you want to use the center of your frame to determine your exposure. Remember that the size of the spot metering will vary from camera to camera. The Professional DSLRs typically have a smaller spot meter than the entry-level DSLRs.
Photo Example:


Video Example:


DSLR Basics: Metering Mode
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