Thursday 3, Apr 2025

728x90 AdSpace

­

Latest News

    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Monday, January 31, 2011
Anonymous

Using Zebra stripes for Proper Exposure

Zebra Stripes


Most prosumer cameras have a zebra strip function. Zebra stripes are a device that puts diagonal lines into highlights in the viewfinder that match a specific level (usually 90-100% of the maximum brightness) but it does not record the stripes on the tape or card. These stripes act as a indication of exposure levels to be used as an aid to getting the exposure that you want. You can think of a 100% zebra level as the equivalent of an audio meter that is telling you the sound is too loud (in this case the zebra stripes are indicating that the area is too bright.


A simple way to test this is to take your camera and point it up to the sky (on a fluffy cloudy day). Set your zebra stripes setting to 100%. Then set your exposure so that you get a few stripes on tops of the clouds. There should be a bright blue sky with brilliant white clouds that have depth to them. You will notice that the more you open up the iris the more the zebra stripes fill the clouds and you get a bright white sky with flat, white cloud. If you open the iris up even more you will eventually get a completely white sky with no clouds.


Some of the prosumer and the advance cameras will have several zebra settings that allows you to set the luminance level at which they become active. Usually videographers set the zebra stripes to 75% and that usually will give you a good exposure on the human face. You will see the highlights across the forehead or cheekbones. The downsize of setting your zebra to 75% is that there tends to be a lot of stripes showing up on your LCD screen and can be annoying to film like this. You can set your zebra to 90 or 95% to show the areas on the shot that are about to become over exposed so you can monitor those areas. 
Picture from http://eyefish.tv/production-guide/technical-guides/exposure-and-zebra-patterns
It is also important to remember to have your onscreen personalities to wear clothing that is darker than their skin tone. This helps with maintaining the proper exposure of the skin tone and clothing.
Using Zebra stripes for Proper Exposure
  • Blogger Comments
  • Facebook Comments

0 comments:

Post a Comment

Top