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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Friday, February 18, 2011
Anonymous

GoPro vs. Playsport


Side by Side comparison on Specs
*UPDATE – GoProHD has now come out with an LCD Backpack for seeing what you are recording and for playback - Read this updated blog on the LCD BackPack

Review of the Kodak Playsport - Price $149.99

The Good: LCD screen to see what you are filming and the ability to Replay and Delete on camera.
The Bad: Waterproof depth is limited, short battery life on highest resolution and no lens protection.

Design


The Kodak playsport is roughly the size of your average cell phone. This design allows it easily to be stored in your clothes or in any other cell phone holder. 2" LCD screen on the front of the Playsport allows you to see what you are filming and allows for playback/delete right on the camera. A circular four-way direction pad houses the control for the 4x digital zoom (up & down) and you can change recording modes using the left and right. When in playback mode the up and down controls the volume and the left and right controls fast forward and rewind actions. Made of thicker plastic with grips on the side for easy hold, even while it is wet. Kodak makes no claims of the Playsport being "crush" or "shockproof", only that is it waterproof up to 9.8ft for about 30 mins at a time. Just because it is waterproof does not mean that it is feezeproof, like other cameras, it will likely not function properly when exposed to temperature less that 32ºF. The Kodak Playsport also comes with a slot that you can have a strap to put it around your neck or your hands for easy access. The lens is unprotected and is subject to scratches and dirt. In outdoor situations you must be prepared to keep the lens clean and protected. You can turn of the onboard sounds and blinking red light when filming your hunt.

There is two waterproof locking doors on each side of the Playsport. One holds the battery and sd card and the other holds a mini-HDMI port, AV port, and a non-typical USB port. Kodak saved space by using the non-typical USB port but that also means that you must have that specific USB cord to charge your Playsport. You can charge the Playsport via your computer using the USB cord (aprox 4hrs) or with the included wall charger (2hrs). When recording on the higher settings (1080p & 720p) it will drain the battery, therefore, I would recommend getting multiple extra batteries for a long day filming outdoors. 

As with any small POV camera the stability is always a concern. It does come with a built-in image stabilization, but   you can't really see the advantage. It does have the ability to attach it to a tripod plate. This allows you to capture steady footage using a Gorillapod, tripod, treearm or anything that accepts a tripod plate. 

The audio quality with the onboard microphone is going to be your typical quality with this size of camera. 
The Playsport does have the 4x Digital zoom but when using digital zoom the image quality deteriorates a little bit.
The 5 megapixel still image is great for an easy quick shot but will not replace your digital still camera.
The built-in 128MB of internal memory is a little bit deceiving due to the fact that only 20MB can be used for video/pictures and the other half is used for the built-in ArcSoft's Media Impression for Kodak software for sharing, therefore I would recommend having several SD cards (up to 32gb). The built-in software easily downloads (on PCs) and has a basic editor for trimming and cutting along with adjustment of color, contrast, brightness, underwater enhancement, dynamic lighting and denoise. The software allows for easy upload to YouTube, Facebook, Twitter, and Vimeo. You can also e-mail clips and photos. An ironic feature of the software is that it allows you to convert the video to be able to watch it on an Apple TV, iPhone, iPod and Sony Playstation/portable but you can't do the work on a Mac because the software is Windows only.

Overall, the video quality is excellent for its class of size and price but not indestructible.

Here are some sample clips:







Available in Camo Bundle
Price: $249.99









Review of the GoPro Motorsports HD Hero - Price $299.99
The Good: The GoPro captures video in a variety of different resolution and frame rates as well has a variety of still image functions. It also has a large selection of mounting options and replacement parts. The camera itself is contained in a polycarbonate shell that is submersible, shockproof and also replaceable if it takes too much of a beating.
The Bad: The lack of LCD screen makes aiming difficult and playback not an option. The small LCD menu screen is hard to operate without first learning the abbreviations from the manual.


Design


The lens boast a super wide-angle at 170º and a 127º wide-angle when filming in full 1080. The camera its self features two buttons one on top (Start/stop recording, picture taking) and on on the front of the screen (turn on and selection of options on the tiny LCD screen). The small LCD display screen is easy to navigate once you learn the symbols and abbreviations. The GoPro records to SDHC cards and you can put up to a 32gb card (important when filming in higher resolution situations) The GoPro camera houses a Lithium rechargeable battery that allows for up to  2.5 hrs of battery use. You can use the supplied mini-usb cord to charge it through a computer (2 hrs) or get the optional wall charger (1 hr). I would also recommend buying multiple additional GoPro Batteries for just $19.99 to be able to film on the long days outside.




The GoPro features a wider selection of shooting modes for both video and still photography over the Playsport.
There are five different modes to chose from in video. When you film at Full HD (1080p) (highest resolution) the video is cropped to only a 127º angle. If you want to utilize the full capability of the 170º viewing angle you can chose from 960p ("tall" mode), 720p (30 or 60fps) or at the lowest resolution of WVGA (60fps). The GoPro will shoot 5 megapixels still images, however, there are multiple shooting modes: single-shot mode captures one photo per shutter press; Per second mode (2, 5, 10, 30 or 60s) captures photos at user defined intervals; burst mode captures three photos in rapid succession and there is also a self timer mode for single shots. You can use the per second mode as a way to take still images and then speed them up in editing to give it a time lapse feel. 


The audio quality is similar to that of the Playsport, capturing monaural audio from its onboard microphone. It does however do a good job of capturing engine noises while blocking wind noise when mounted on the outside of a vehicle.



The odd shape of the GoPro makes it difficult (not impossible) to carry it in your pocket but it is small enough that it  hardly takes up any space in a backpack or bag. The big appeal of the GoPro is the wide range of cheap mounting accessories and the ability to use your imagination to design one that fits your needs. Every GoPro camera comes with the polycarbonate shell and seals with a strong plastic clamp. Once shut, the GoPro is waterproof up to 180ft (surpassing the Playsport by far) and it is also shockproof. The GoPro Motorsport package includes a PanaVise suction cup mount (used to mount to a variety of vehicle including cars, atv, etc.). It also includes an assortment of flat and curved adhesive mounts for semi-permanent attachments to helmets and to other surfaces, a pair of quick release buckles for connecting to the adhesive mounts, and a three-way pivoting arm for aiming and positioning, which gives users a fairly wide variety of mounting options right out of the box. Additional mounts including the Role Bar Mount and the Handlebar/seatpost clamp can be used to attach the GoPro to the stabilizer of your Bow. 

Or using the same mounts you can attach it to the barrel of your gun. Or for more stability you can use the Rifle Cam Mount . For all of you Waterfowl hunters out there you can get the GoPro Chest Mount and strap that to the back of your bird dog and actually capture that footage from your dogs perspective of going in the water to retrieve your birds. For those fishermen out there you can attach the GoPro to a Rode Boom Pole and get those shots of you reeling in your catch or take it overhead to get boom shots from above. 




Here are some pictures that customers have sent in how they have used the GoPro


























Here is some video clips of the GoPro:




Watch around 2:08- 2:42 to see footage of the GoPro attached to a Bird Dog jumping in to retrieve.







Overall, the GoPro Camera is going to give you more options as in mounts and accessories to choose the right one for your hunting style or to adapt it for any situation whereas the Kodak Playsport will give you more options as far as the LCD viewscreen, zoom function and playback mode. If you are looking for a second angle camera that you can mount to anything and point and shot then the GoPro Camera is the way to go. If you are starting out and just looking for a way to start filming your own hunts and you want the option of being able to see what your recording then I would go with the Kodak Playsport


Comment below on what POV camera you think is right for you
GoPro vs. Playsport
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2 comments:

  1. We are looking into both. We were working with Kodak (bow hunting etc) and really do not like the gopro lack of lcd screen.
    Have you considered the olympus or other cams on the market- or even smartphones?

    ReplyDelete
  2. Good article. I am a motorcycle enthusiast and use a Kodak Playsport Z5. In the last minute of my purchase I switched from GoPro to this one due to the cost advantage and the screen. You have rightly said, that if someone is starting out on the filming (like myself), Kodak Playsport is more than sufficient + it's waterproof:) What more could I ask for, while recording my motorcycle trips:)

    Sample video shot with Playsport in UK while riding: https://www.youtube.com/watch?v=uRAUQq_LfqI

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