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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Friday, March 4, 2011
Anonymous

Turkey Ground Blind Filming Tips-Stabilize














Ground Blind Filming Stabilization Tips
As turkey season approaches it is important that you have everything you need to film your turkey hunts from a ground blind. Ground blinds don't give the hunter or the cameraman a lot of room to more around or to even film. Depending on your ground blind here are some stabilizing options:

Tripods
Tripods do require more room then the other options but do offer the most stabilization.
Some things that you need to consider when is how much weight you want to carry in your pack. Tripods are going to weigh the most. One way to cut off some pounds is to look for a tripod that is "Carbon Fiber" because those are going to be the ones that weigh the least.
I would suggest going with the Manfrotto Carbon Fiber 190cx 3-Section Tripod
The 3-section 190CX3 combines great performance with essential and functional design. 100% carbon fiber tubes and aluminium die castings guarantee great rigidity and extremely light weight. The aluminium center column includes a low angle adapter at the bottom which can be used as a short column.
Specifications
Max Height w/extended column 57.5 inches / 146cm 
Max Height w/closed column 46.9 inches / 119cm 
Minimum Height 2.36 inches / 6cm 
Closed Length 21.7 inches / 55cm 
Leg Sections 3 
Max Load Capacity 11 lbs / 5 kg 
Weight 2.9 lbs. / 1.32 kg 
Notes Leg Angles: 25°,46°,66°,89° 
Column Tube diameter 25mm 
Legs Tube diameter 24,8 , 20,4 , 16 mm 
Attachment (top) 3/8" screw
Price: $259.99
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Monopods
Monopods are similar to Tripods but they utilize 1 leg instead of the 3 legs of a tripod. Monopods are going to take up less room both in your pack and in the ground blind. Monopods are also a great solution for uneven terrain and areas where tripods can not or are hard to use. I would suggest going with the Manfrotto Carbon Fiber/Magnesium Monopod 694cx:
Four section, lightweight carbon fibre and magnesium locking collars monopod. The best solution for spot & stalk hunting, it allows videographers to shoot on various conditions. The monopod has a rapid action extension locks, a wrist strap and a camera platform wit dual 1/4'' and 3/8'' camera fixing screw. Section diameters in mm: 29.2, 24.8, 20.4, 16.
Specifications
21.3 in. Minimum height
65 In. Maximum height
Weighs 1.3 lbs
Max weight is 13.9 lbs

PRICE: $199.99
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3rd Arm Crooked Stick
The Crooked Stick is specifically designed for shooting rock-steady video on the ground. The Crooked Stick is a fold up unit only 19” long, allowing for easy packing. The Crooked Sticks unique design allows for videoing from as low a 12” to a full 40” off the ground. It comes equipped with a point and video design called the Joy Stick, simply grab point and video-Its that easy! The Crooked Stick is rated for a maximum camera weight of 2 pounds. 
PRICE: $79.00
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3rd arm crooked stick demo from The 3rd Arm on Vimeo.


Ground Blind Mount
Revolutionary…that is the best way to describe the all new Ground Blind Camera Mount. Nothing on the market allows a hunter to film a hunt from inside a blind (hub style or box blind) as easily as this innovative mount.
The base mounts easily to the blind hub and the arm mounts directly to the base. Dual swivel points allow 180 degree motion. The adjustable support leg (for use with larger cameras) adjusts from 20" to 34".The mount includes a pan and tilt head and holds up to 6lbs. Weight 2 1/4 lbs. 

PRICE: $69.95
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Fluid Heads
Fluid Heads are important when you use any kind of stabilizing equipment. A fluid head is going to do just what its name suggest– give you fluid movements up and down and when panning left and right.
Fluid Heads are choose by the weight of the camera. Remember to take into count the weight of all the accessories that you have on your video camera.


Manfrotto 700 RC2 Fluid Head
Weight Capacity: 5.5 lbs
PRICE: $85.99
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Manfrotto 701 HDV Fluid Head
Weight Capacity: 9.5lbs
Price: $157.99
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Manfrotto 501 HDV Fluid Head
Weight Capacity: 13.2lbs
Price: $189.99
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Another great product for Turkey Hunting (if not using a ground blind) is the Cameraman Concealment Cover. The cover is designed to cover you, the camera and tripod. Your body is the framework that keeps the cover in place. A large camo window screen allows for adequate viewing, yet the birds (or any wildlife for that matter) can't see through it. The cover allows you to move your hands making adjustments with the camera and/or lens without spooking your subject.
Anyone wanting to view wildlife who would like to get closer without being seen, this is the product for you. If your into taking pictures, using binoculars (the camo screen can be opened for this purpose) or want to use a video camera. you will find this to be a very useful tool to add to your bag of tricks. It's portable and lightweight so you can carry it with you where ever you go.
Comes in Real Tree APG. Other camo styles available by special order.
PRICE: $119.99

Turkey Ground Blind Filming Tips-Stabilize
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