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    • Sony Unveils HDC-4300 World’s First 4K System Camera with Three 4K Image Sensors

      Press release from #NABShow by blog.Sony.com Las Vegas, April 12, 2015 – Sony’s next generation of HDC series camera technology provides the ability to use the high magnification wide zoom range lenses currently employed by HD 2/3-inch systems while maintaining an adequate depth of field to properly show all of the action in live event broadcasting. The new HDC-4300 is the world’s first camera to use three 2/3-inch 4K image sensors¹. It supports the same B4-mount lenses as well as the same control surfaces as Sony’s industry leading HDC-2000 series cameras. The existing HDLA-1500 series, control and shading systems, viewfinders and master set-up units are all interchangeable between the HD and 4K systems. Directors and operators can keep their approach to live events — including camera angles, zoom ranges and iris settings – while using familiar camera technology. “This camera provides 4K capabilities and a workflow that content producers are instantly familiar and comfortable with,” said Rob Willox, marketing manager for content creation systems, Sony’s Professional Solutions Americas. “We’ve developed an approach that allows the large existing HDC series user base to employ 4K advantages such as 8x high frame rate and 4K cut-out and zoom while using a familiar infrastructure and signal path.” The new HDC-4300 is capable of 4K/HD operation, with 2x, 3x Super Slow Motion as standard, and higher speeds up to 8x available, to produce high-quality replays and specialty program effects. The camera uses ultra-high-precision alignment technology to realize three 4K sensor on a new prism. This allows the support of the next-generation ITU-R BT.2020 broadcast standard’s widened color space for future-proof masters or post production options for today’s productions, shown on tomorrow’s 4K services. Direct attachment of B4 HD lensesStandard large-format B4-mount lenses mount directly onto the HDC‑4300. This gives broadcasters the flexibility needed for live sports broadcasts: 4K capabilities while maintaining their customary HD-lens operating styles. SZC-4001 SoftwareSony’s SZC-4001 software package (sold separately) allows broadcasters to take advantage of 4K capabilities. Super Slow Motion (up to 8x) at HD ResolutionThe SZC-4002 software package (sold separately) enables the system to shoot full HD (1920 x 1080) at frame rates up to 479.52/400 fps, as well as 59.94/50, 119.88/100, and 179.82/150 fps. Users can save these high-frame-rate shots to Sony’s PWS-4400 multiport 4K/HD Live Server. HD/4K Live Production for Sports  The HDC-4300 accepts the same configurations as existing 4K live systems. A BPU-4000 baseband processor unit receives the camera signals via SMPTE fiber and connects to an HDCU-2000 or 2500 camera control unit. This provides power and full intercom, tally, and return capabilities.Users can seamlessly blend an HDC-4300-based system with existing HDC Series camera systems. The HD signals from the HDC Series cameras and from the new camera system can be adjusted to match colorimetry. The addition of other 4K products, such as the PWS-4400 multi-port 4K/HD Live server, a multi-format switcher capable of real-time 4K signal processing based on the MVS-8000X, and Sony’s new BVM-X300 4K OLED or PMW-X300 4K LCD monitors create an end-to-end 4K live production solution. HDC-4300 – additional features:• HD cut-outs – two full HD images to be cut out from the 4K picture in real-time including a selectable zoom and perspective mode.• Many of the Picture adjustment functions of HDC Series cameras are supported by the HDC-4300 system• Dynamic focus (4K focus-assist function) – a focus point can be displayed on the viewfinder with a marker in 4K mode for easy focusing.• Auto lens aberration compensation 2 (ALAC2) function• Color reproduction adjustment functions• Gamma table selection• User gamma function• Natural skin-tone detail function• Knee saturation function• Low-key saturation function The HDC-4300 4K/HD live camera system is planned to be available in summer of 2015.

Friday, December 16, 2011
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Q&A With the Pro’s: Camera Equipment and Filming Hunts


Q&A With the Pro’s: Camera Equipment and Filming Hunts
Posted on  by ringer37
blog from: Bowdo.net

I recently had the opportunity to interview Jeremy Leu of Campbell Cameras about camera equipment and methods for filming your very own hunt.  There is many information available in regards to the equipment and tactics of filming hunts, these are answers for just a few of the most popular questions we hear… 

Q: If you’re a bow hunter looking to film your own hunts, what are the bare essentials that you’ll need to get started?   

A: A terrific mid range compact HD camcorder package like the Canon HFS30 Whitetail package will have everything you need to get started.  The bare essentials would include a camera, camera arm, camera case, recording media and a spare battery.  From here you can add to and upgrade your camera equipment.
The Canon HFS30 is an excellent package to start filming your hunts!
Q: Assuming you have a buddy with you to run the camera during you hunt, is there any additional or special equipment that you should consider purchasing?

A: If you can budget for it I'd scale up on everything if you have a dedicated videographer. Most of us operate on a budget so the items would definitely suggest are a LANC controller and wireless microphones.

 

Q: When picking out a camera to make use of, what do you believe are the most critical features to look for?

A: The things I'd look for are; Low Lux rating, 10x to 20x Optical zoom, manual focus option and 1080 HD recording format.

Q: What do you think are the most critical technical features that every amateur videographer should learn about their camera and other equipment? 

A: Learn to make use of manual Focus!! Also don’t over make use of your zoom!  Zooming in and out can  be nauseating for an audience, only allow the subject to fill up about 1/3 of the screen.



Q: What camera and camera arm combo is the best bang for your buck right now?

A: The Sony NX70U and the 3rd Arm Bandit is a terrific setup.


Jeremy picks the Sony NX70U as the best “bang for your buck” camera.
Q: What are your feelings on Point-of-View (POV) cameras like the Epic Cam and GoPro?

A: Point of View cameras are a necessary tool for all videographers now days, solo hunt videographers especially. It allows the self videographer to set up multiple views from their stand live as they happen. I don’t go into the field without at least 1 but usually have 2 or 3.


This is a still photo taken from a video recorded by my Epic Cam.
Q: When filming by yourself where is the optimal location to mount your camera?

A: I prefer to have the camera on a little tree arm in front of me, centered but down low. That way when I stand up to get ready for the shot I can shoot over top of the camera and get full range of motion for filming.

 

Q: When filming with a buddy, where should the cameraman be located in relation to the hunter?

A: Of course opinions vary and there is no true right or wrong way, I like to position the camera stand 90 degrees to my right and high enough to not affect my shot but low enough to allow the camera operator to get that perfect over the shoulder shot.

There is no “perfect set” for every situation, but this is one we strive for.
Q: What is the largest mistake you see amateur cameramen make during filming hunts?
A: Using auto focus and zooming in too tight or zooming in and out too much. Also audio can be over looked by novices.
Using manual focus is key when it comes to filming quality hunts.

Q: What are the top 4 things you should check on your camera every time you go into the woods?
A: Make sure the batteries are charged, card or tape capacity checked, lens is cleaned and free of scratches and the audio is operating properly. 

Q: Is the not needed time and money really worth it in the end?
A: Depends on what level you are at or what you plan to do but any HD camera will provide terrific quality footage, the difference is in the lens size, low light capability, and size and number of sensors for color processing.  

Sometimes cameras, equipment and everything that goes with filming a hunt can be quite overwhelming for something that most of us do as a hobby.  If you have questions about camera gear don’t hesitate contact the guys at Campbell Cameras and they’ll be sure to give you sound tips, whatever your goal may be.  Also, don’t forget to check out the photo/video forum right here at bowhunting.com!
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